Pop Star Maria Ellis Celebrates Self-Love with Bold New Track “Conceited”

Maria Ellis is on a mission to redefine self-confidence in her latest single, "Conceited." The track, the lead single from her upcoming EP Ultrabaddie, is an infectious anthem that dares listeners to embrace their self-worth unapologetically. As a pop/R&B sensation, Maria captivates her audience with bold lyrics and a dynamic sound that invites you to sing along while reflecting on your own experiences with self-perception.

Picture yourself in a moment of self-doubt, scrolling through social media, and feeling the pressure to present a perfect image. Now, let Maria's voice resonate in your head: “I’m a bit conceited, loudest when I’m preaching, I mean it, I mean it.” These words encourage a shift in mindset, prompting you to celebrate your individuality rather than shrink in the face of insecurity. As you play "Conceited," let the energetic beats and sultry vocals wash over you, empowering you to step into your light and appreciate your unique qualities.

WHITE COLLAR PRISON Takes Aim at Corruption with Infectious Satire in “If It’s Not Too Much Trouble (You’re Going to Jail)”

WHITE COLLAR PRISON ‘s debut single, “If It’s Not Too Much Trouble (You’re Going to Jail),” This isn’t your average protest song; it’s a hilarious and thought-provoking indictment of white-collar crime, delivered with a theatrical flair that’s both catchy and convicting.

The song follows the spectacular downfall of Congressman Richard Dutch, a caricature of privilege and corruption. Through a series of cleverly scathing lyrics (“insider trading, fraud and the rest / Plus, all of those damning emails”), the narrative exposes Dutch’s illicit activities, from bribery to embezzlement. The playful banter between characters adds another layer of humor, highlighting the absurdity of Dutch’s desperate attempts to buy his way out of trouble.

“We wanted to shine a light on the double standards that often protect white-collar criminals,” explains songwriter Neil Garguilo. “The song uses satire to spark conversations about accountability and the inequalities within the justice system.”

The infectious melody and driving rhythm complement the satirical lyrics, creating a juxtaposition that underscores the depth of the song’s social commentary. It’s a demonstration of WHITE COLLAR PRISON‘s talent for weaving social commentary into an undeniably entertaining package.

The song isn’t just about pointing fingers; it’s a call to action. This line powerfully highlights the systemic flaws that enable the wealthy to evade accountability, emphasizing the unjust privilege they enjoy: “There’s a price for freedom / A million per diem.”

“The song is a bold statement that challenges the status quo,” says co-writer Gregory James Jenkins. “We hope it sparks conversations and inspires listeners to question the system.”

“If It’s Not Too Much Trouble (You’re Going to Jail)“, with its fusion of rock and hip-hop influences, sets the stage for WHITE COLLAR PRISON‘s exploration of social justice themes and heralds the thrilling start of their musical odyssey. This debut single offers a blend of satirical humor and introspective lyrics, providing a glimpse into what promises to be a groundbreaking musical experience.

Get ready to immerse yourself in a musical journey that will entertain, provoke thought, and compel you to challenge the value of justice.

Experience “If It’s Not Too Much Trouble (You’re Going to Jail)” below:

Crystal Starr Shines Bright with Latest Release “Too Late”

Crystal Starr, a two-time award-winning recording artist hailed by The Source Magazine as “The Girl with the Golden Voice,” continues to enchant audiences worldwide with her dynamic pop sound. With her latest release, “Too Late,” Starr once again demonstrates her talent in creating compelling melodies that resonate with listeners on a profound level.

Starr‘s musical journey is proof of her multifaceted talent and unwavering dedication to her craft. Born to a Puerto Rican mother and an African American father, she grew up surrounded by music that ranged from Madonna to salsa, influencing her own style in the process. Drawing inspiration from icons like J.Lo, Tina Turner, and Whitney Houston, Starr has forged her own path in the pop music scene, infusing her music with a modern twist while paying homage to the classics.

From her early days singing for pop sensation Jessica Simpson to sharing the stage with legends like Stevie Wonder and Lady Gaga, Crystal‘s rise in the music industry has been nothing short of remarkable. Her stage presence and powerful vocals have earned her acclaim both on Broadway and at major music festivals, captivating audiences with every performance.

Starr‘s latest single, “Too Late,” is a heartfelt reflection on love and heartbreak. With soulful lyrics and infectious beats, the song takes listeners on an emotional journey, exploring themes of missed opportunities and self-discovery. In a world where superficiality often takes center stage, Starr’s music resonates with its raw honesty and authenticity, touching the hearts of her audience.

Produced by Grammy-nominated producers Bizkit and Butta, “Too Late” showcases Starr’s evolution as an artist, pushing the boundaries of sonic experimentation while staying true to her unique sound. With its memorable melody and heartfelt lyrics, the song is evidence of Starr’s ability to connect with her audience on a profound level, leaving a lasting impression.

As she continues to captivate audiences with her dynamic performances and soul-stirring music, Crystal Starr remains a shining star in the world of pop music. With “Too Late,” she proves once again that her talent knows no bounds, inviting listeners to join her on a musical journey that is as exhilarating as it is unforgettable.

Crystal Starr’s latest release is more than just a song – it’s a reminder of the enduring power of music to touch the hearts and souls of listeners around the world. With her energy and talent, Starr continues to push the boundaries of pop music, leaving an indelible mark on the industry and cementing her legacy as one of its brightest stars.

Play “Too Late” below:

Kevynn Hudsonn Gets Real on “Rose Quartz”: A Lo-Fi Anthem for the Heartbroken but Healing

Brooklyn’s Kevynn Hudsonn isn’t your typical R&B artist. Sure, the smooth vocals and soulful melodies are there, but beneath the surface lies a simmering pot of genre-bending influences – a dash of hip-hop swagger, a sprinkle of synth-pop shimmer, and a healthy dose of alternative rock grit. His latest single, “Rose Quartz,” is a perfect example of this sonic alchemy, a lo-fi anthem for anyone who’s ever loved and lost, but emerged stronger on the other side.

The track opens with a stripped-down soundscape. Sparse piano chords and a melancholic synth line set the stage for Hudsonn‘s introspective lyrics. He sings in a hushed tone, almost a confession, admitting a love that perhaps bloomed a little too soon. Lines like, “Wish I’d learned to love myself / Before I fell in love with you,” hit hard, a relatable sentiment for anyone who’s ever prioritized someone else’s happiness above their own.

But “Rose Quartz” isn’t just about dwelling on the past. The title itself – a reference to the rose quartz crystal known for its connection to self-love – hints at a deeper message. Throughout the song, Kevynn uses the rose quartz as a symbol of self-discovery. The pre-chorus, “Rose Quartz connects / To the heart / Self love is where / It all starts,” is a simple yet powerful declaration. It’s the turning point, the realization that true love, in any form, begins with self-acceptance.

The song builds in intensity as the chorus explodes with a pulsating beat and layered vocals. The repeated line, “I wish I had more self-esteem / I wouldn’t let you treat me so mean,” transforms from a whisper to a battle cry. Here, Kevynn sheds his vulnerability, embracing a newfound strength and independence.

The beauty of “Rose Quartz” lies in its honesty. It doesn’t shy away from the pain of heartbreak, but it also celebrates the journey towards self-healing. As the song progresses, the initial longing for the lost love fades, replaced by a sense of liberation. The final verse, “Since I’ve learned to love myself / I find I’m not in love / With you,” marks a victory. The rose quartz has worked its magic; self-love has unlocked the freedom to walk away from a situation that wasn’t meant to be.

The final section of the song features a playful, almost defiant outro, punctuated by a series of “I’m not in love with you”s. This sonic shift underscores the transformation. The lo-fi soundscape remains, but there’s a lightness to it now, a reflection of Kevynn’s newfound confidence.

“Rose Quartz” is more than just a breakup song; it’s a self-love anthem for the digital age. In a world obsessed with curated perfection, Hudsonn offers a refreshingly honest portrayal of vulnerability and growth. With its raw emotion, genre-bending production, and relatable lyrics, “Rose Quartz” cements Kevynn Hudsonn as an artist to watch – a bold new voice unafraid to bare his soul and challenge the status quo.

Listen to Deezy’s latest offering below:

V.H.S.: Pioneers of Hip-Hop’s New Era with ‘Love Letters From The End Of The World’

In a remarkable fusion of storytelling and music, V.H.S. emerges as a trailblazer in the hip-hop scene with their debut album, Love Letters From The End Of The World. This record stands as a testament to the unexplored horizons of hip-hop, breaking new ground with its innovative approach to narrative and sound. Central to this release is their hit single, “The Neverending Song,” which not only captivates listeners but also serves as a portal into their meticulously crafted universe. 

“Love Letters From The End Of The World” marks V.H.S.‘s ambitious entry into the music world, challenging the traditional confines of hip-hop. The album is a rich collage of storytelling, replete with intriguing characters and enthralling escapades. It showcases the genre’s capacity to evolve and encompass a vast range of themes and styles. Tracks like “Slap Attack” and “Digital Weed” join “The Neverending Song” in this eclectic mix, each contributing to the album’s vibrant narrative landscape. 

“The Neverending Song” stands out for its intricate narrative. The track is a conversation that traverses various dimensions and eras. This song transcends musical boundaries, venturing into a realm where audio and visual storytelling converge. Its planned music video symbolizes V.H.S.’s dedication to creating an immersive story-driven experience. 

Coming on the heels of “The Welcome Song,” the anticipated video for “The Neverending Song” promises to be an avant-garde blend of audiovisual art. V.H.S. is incorporating cutting-edge AI technology to translate the song’s complex narrative and themes into a visual feast, ensuring a rich and multisensory experience for their audience. 

At the core of “The Neverending Song” is V.H.S.’s distinctive sound—a tapestry woven from a variety of musical influences. This track is a showcase of their spontaneous creativity and the synergistic power of collaboration. Each member contributes their unique background and musical style, resulting in a sound that is both eclectic and cohesive, pushing the boundaries of what hip-hop can be.

Listen to “The Neverending Song”:

Watch the official music video for “The Welcome Song” below:

Unraveling the Threads of Anastasia Solay’s “Candlelight”

Anastasia Solay, a name synonymous with emotional depth and musical diversity, recently opened up about her latest hit, “Candlelight,” painting a vivid picture of her artistic journey. 

Discussing the music video for “Candlelight,” Solay describes an evocative scene set in an old cafe, where a mysterious figure captures the essence of the song. This setting, along with the nuanced portrayal of each character, was crucial in manifesting the song’s dual themes of memory and self-discovery. 

Solay’s songwriting process is as spontaneous as it is heartfelt. The lyrics of “Candlelight,” borne out of improvisation, are a reflection of her ability to translate raw emotions and memories into soul-stirring melodies. 

Her upcoming album, Heart of a Star, is a celebration of such spontaneous moments. Anastasia cites the track “Start a Fire,” recorded in a single freestyle session, as a prime example of her commitment to authenticity. 

In ‘Heart of a Star,’ Solay‘s sensitivity to global events is palpable. She believes that personal healing contributes to universal well-being, a philosophy that resonates throughout her album. 

Solay’s musical influences range from the classical strains of Tchaikovsky to the soulful power of Aretha Franklin. She points to “Candlelight” as a track where these diverse inspirations coalesce, creating a rich, genre-blending soundscape. 

For Solay, music is a journey of emotional discovery for her audience. She envisions her songs as a source of strength and beauty, intertwining with the narratives of those who listen, fostering moments of deep reflection and connection. 

In both narratives, Anastasia Solay emerges as a musician and a storyteller, weaving her experiences and emotions into songs that resonate with a global audience.

Watch the official music videos for “Candlelight” and “Heart of a Star” below:

EYMMI’s “Zombie”: A Haunting Metaphor for Inner Demons and Self-Discovery

In the realm of contemporary music, where authenticity often wrestles with artistic expression, EYMMI stands as a beacon of raw, unfiltered creativity. His latest single, “Zombie,” is not just a song; it’s a profound journey into the psyche of an artist torn between his inner demons and the pursuit of self-discovery.

EYMMI, a culturally diverse artist raised across continents, brings a unique blend of experiences and perspectives to his music. “Zombie” is a brilliant reflection of this journey, blending haunting lyrics with a deep, rhythmic beat that encapsulates the struggle of the human condition. The song serves as a metaphorical canvas, painting the picture of a person grappling with their darker side, symbolized by the imagery of a zombie.

The lyrics of “Zombie” are a chilling narrative of self-conflict and introspection. Lines like “I’m starving, all day and all night / Looking for something I can bite” and “I’m sorry, but I am unholy / I have no soul, I am sinful, I don’t have any pride” reveal a person battling internal chaos. This battle is further exemplified in the chorus: “Call me what you want, revenant, zombie, zombie / Living corpse, undead, wicked (I’m devilish).” These words not only evoke a sense of inner turmoil but also a deep longing for understanding and acceptance.

The power of “Zombie” lies not only in its lyrics but also in its ability to resonate with listeners on a personal level. EYMMI‘s musical journey, marked by moments of friendship, betrayal, and a vast array of emotions, has culminated in this single, offering a window into the soul of an artist who has experienced life’s extremes.

EYMMI‘s approach to music is as eclectic as his background. Influenced by a range of genres and artists, from the aggressive sounds of Rage Against the Machine to the soulful melodies of Bob Marley and Nina Simone, EYMMI has crafted a style that is uniquely his own. “Zombie” is a testament to this, blending different musical elements to create a sound that is both haunting and captivating.

The single is more than just a song; it’s a confession, a declaration, and a journey into the depths of a troubled soul. EYMMI uses the metaphor of a zombie to express his deepest fears and desires, allowing listeners to explore their own inner darkness.
In “Zombie,” EYMMI has created a masterpiece that is both deeply personal and universally relatable. It’s a song that speaks to the human experience, the struggles we all face, and the journey to find ourselves amidst the chaos. As EYMMI continues to navigate his musical path, “Zombie” stands as a powerful reminder of his talent, his journey, and the transformative power of music.

Explore “Zombie” here.

Wisemary’s Musical Evolution: From “Won’t Bow Down” to the Upcoming “Flashbang”

St. Louis’s rock ensemble Wisemary has been making waves in the local music scene, and their journey is a testament to their evolving sound and unyielding spirit. Known for their soulful classic rock covers, the band, under the mentorship of Grammy-nominated superproducer Carl Nappa, has transformed into a group with a distinctive, authentic sound. Their latest releases, “Won’t Bow Down” and the upcoming “Flashbang,” showcase this evolution.

“Won’t Bow Down,” the band’s debut single, is a powerful anthem of defiance and resilience. The song’s lyrics, “Hide in the shallows / You circle like a shark / I sold my shadow / So I could leave a mark,” set a tone of rebellion and strength. The chorus, “I know what you want / But I won’t feed the beast,” resonates with anyone who’s ever felt pressured to conform. This track, emerging from the band’s intense anxiety and pressure during their formative years, captures the essence of hard rock with a swampy undertone.

As they gear up for the release of “Flashbang,” Wisemary promises to bring the same raw, unfiltered energy that has become their signature. The lyrics of “Flashbang,” such as “Hear your boots pace around my porch / Lit blast charge blowing down my door,” suggest a narrative of unexpected confrontation and resilience, much like their journey in the music industry.

The band’s lineup – lead singer Zach Rehagen, bass guitarist Ryan Litteken, lead guitarist Carson Kilo, drummer Andrew Martin, and rhythm guitarist Evan Gay – brings a unique blend of influences to their music. Their sound pays homage to legends like Jimi Hendrix, Michael Jackson, and Billy Joel, while also drawing inspiration from bands like Fleetwood Mac and Foo Fighters. This eclectic mix is reflected in their energetic performances, which have captivated audiences at venues like Arrowhead and The Pageant in St. Louis.

Wisemary‘s roots in St. Louis’s blues, alternative rock, and hip-hop heritage add depth to their music. Their journey from local bars and clubs to larger venues is a story of dedication, passion, and the pursuit of a unique sound. With their self-titled debut album set for release in 2024, Wisemary is poised to leave a lasting impression on the rock scene.

As fans eagerly await “Flashbang,” it’s clear that Wisemary‘s music is not just about sound but about a message. Through songs like “Won’t Bow Down” and “Flashbang,” they urge listeners to embrace their individuality and stand firm against adversity. Wisemary is not just a band; they are a musical movement, inspiring others to find their voice and never bow down.

Check out his latest release below:

CALYN’s Emotional Odyssey in “Waiting”: A Tale of Heartache and Hope

In her latest single “Waiting,” CALYN, the Alternative R&B sensation from Stockton, California, takes her listeners on an emotional journey through the complexities of a breakup, weaving a tapestry of heartache, introspection, and the quest for clarity. Known for her innovative and soulful melodies, CALYN continues to push the boundaries of urban music with her profound lyrical depth and captivating sound.

“Waiting” is an introspective exploration of the emotional turmoil experienced in the throes of a fading relationship. CALYN‘s heartfelt lyrics, “Emotional maturity, Without it, it won’t work for me,” resonate with anyone who has grappled with the pain of unfulfilled love and the longing for emotional depth. The song is a powerful blend of vulnerability and strength, capturing the essence of a soul in search of closure and understanding.

Drawing inspiration from her musical journey, which began under the guidance of her sister and fellow artist DYLI, CALYN has cultivated a sound that is uniquely her own. Her influences range from the soulful vibes of SZA to the timeless appeal of Etta James, evident in her earlier singles like “born tired” and “kinda love.” “Waiting,” however, marks a new chapter in her musical odyssey, offering a raw and unfiltered look into her personal experiences with love and loss.

The track’s composition mirrors the emotional rollercoaster of a breakup. From the initial verses filled with confusion and longing to the powerful chorus that echoes the pain of waiting in vain, CALYN‘s voice carries a weight that is both haunting and healing. The song’s lyrical narrative, “I spent two hundred days, Waking up knowing I got you,” portrays the struggle of clinging to hope in a relationship that’s slipping away.

“Waiting” is not just a song; it’s a cathartic release for CALYN and a beacon of solace for anyone navigating the aftermath of a broken relationship. The contrast between the two verses in the song, as described by CALYN, represents the before and after of a breakup – a creative choice that adds layers of relatability and depth to the track.

CALYN’s talent for turning personal pain into poetic expression sets her apart in the music industry. Her dedication to authenticity shines through in “Waiting,” making it more than just a song – it’s an experience, a shared moment of vulnerability and strength. As she continues to evolve and redefine the landscape of Alternative R&B, CALYN remains a figure of inspiration, reminding us that in the midst of heartache, there is always a glimmer of hope and the promise of new beginnings.

Emerald M. Shines Through Darkness with “I Could’ve Died”: A Testament to Resilience and Hope

In the intricate tapestry of the music world, where every thread tells a story, Emerald M. stands out with her latest single, “I Could’ve Died.” This deeply personal and poignant track takes listeners on a journey from the depths of despair to the heights of gratitude, offering a powerful message of resilience and hope.

Hailing from Yangon, Myanmar, Emerald M. has solidified her position as a versatile and passionate musician. Her multifaceted talent shines through in her ability to play multiple instruments and create songs that resonate with audiences globally. After a transformative stint in London, she returned to her roots in Myanmar, bringing back a wealth of experiences that continue to shape her music.

“I Could’ve Died” is more than just a song; it’s a narrative of survival and the power of human connection. The lyrics paint a vivid picture of a person teetering on the edge, “so I’ve woken from the darkened side / and you were there to light me up, you know?” The song delves into themes of despair, as Emerald M. describes feeling lost and numb, her body “numb and bleeding” as she focuses on her breathing, counting down the moments until rescue arrives.

However, the song takes a turn towards redemption and gratitude. A savior appears, pulling her “from the wreck,” and helps her see that “it was not my fault, / That it was wrong, all along.” This transition from hopelessness to thankfulness is a central theme of the track, as Emerald M. acknowledges the lifesaving impact of this individual’s presence in her life.

Emerald M.‘s collaboration with William D. Lucey, a renowned songwriter, producer, and multi-instrumentalist, adds depth and texture to the song, making it a rich auditory experience. The songwriting process, which usually begins with Emerald envisioning herself performing on stage, is evident in the immersive and captivating quality of “I Could’ve Died.”

The song is a reminder that even in our darkest moments, we are not alone. There is always someone who cares, ready to offer support and help us find our way back to the light. Emerald M.‘s message is clear: every life holds value, and we must appreciate the good people in our lives who stand by us through thick and thin.

“I Could’ve Died” is more than a single; it’s a beacon of hope, urging listeners to recognize their worth and the importance of those who care for them. Emerald M.‘s mission to inspire hope and touch hearts is brilliantly realized in this track, making it a must-listen for anyone seeking solace and strength in music.