After a considerable number of singles, the full We Are Deadbeats (Vol. 4) compilation is here. Somewhat doubling as a complete Zeds Dead album, the compilation features 14 collaborations with the likes of Deathpact, Subtronics, Delta Heavy, Dion Timmer, Slushii, Champagne Drip, and more. In terms of flow, this is definitely more of a compilation than a fleshed out album. Tracks don’t necessary fit together from one to the next, there’s a lack of cohesive sound — but that’s pretty much a given considering the variety of artists on the project. That being said, its ability to live in that in-between...
After a considerable number of singles, the full We Are Deadbeats (Vol. 4) compilation is here. Somewhat doubling as a complete Zeds Dead album, the compilation features 14 collaborations with the likes of Deathpact, Subtronics, Delta Heavy, Dion Timmer, Slushii, Champagne Drip, and more. In terms of flow, this is definitely more of a compilation than a fleshed out album. Tracks don’t necessary fit together from one to the next, there’s a lack of cohesive sound — but that’s pretty much a given considering the variety of artists on the project. That being said, its ability to live in that in-between...
After a considerable number of singles, the full We Are Deadbeats (Vol. 4) compilation is here. Somewhat doubling as a complete Zeds Dead album, the compilation features 14 collaborations with the likes of Deathpact, Subtronics, Delta Heavy, Dion Timmer, Slushii, Champagne Drip, and more. In terms of flow, this is definitely more of a compilation than a fleshed out album. Tracks don’t necessary fit together from one to the next, there’s a lack of cohesive sound — but that’s pretty much a given considering the variety of artists on the project. That being said, its ability to live in that in-between...
After a considerable number of singles, the full We Are Deadbeats (Vol. 4) compilation is here. Somewhat doubling as a complete Zeds Dead album, the compilation features 14 collaborations with the likes of Deathpact, Subtronics, Delta Heavy, Dion Timmer, Slushii, Champagne Drip, and more. In terms of flow, this is definitely more of a compilation than a fleshed out album. Tracks don’t necessary fit together from one to the next, there’s a lack of cohesive sound — but that’s pretty much a given considering the variety of artists on the project. That being said, its ability to live in that in-between...
After a considerable number of singles, the full We Are Deadbeats (Vol. 4) compilation is here. Somewhat doubling as a complete Zeds Dead album, the compilation features 14 collaborations with the likes of Deathpact, Subtronics, Delta Heavy, Dion Timmer, Slushii, Champagne Drip, and more. In terms of flow, this is definitely more of a compilation than a fleshed out album. Tracks don’t necessary fit together from one to the next, there’s a lack of cohesive sound — but that’s pretty much a given considering the variety of artists on the project. That being said, its ability to live in that in-between...
After a considerable number of singles, the full We Are Deadbeats (Vol. 4) compilation is here. Somewhat doubling as a complete Zeds Dead album, the compilation features 14 collaborations with the likes of Deathpact, Subtronics, Delta Heavy, Dion Timmer, Slushii, Champagne Drip, and more. In terms of flow, this is definitely more of a compilation than a fleshed out album. Tracks don’t necessary fit together from one to the next, there’s a lack of cohesive sound — but that’s pretty much a given considering the variety of artists on the project. That being said, its ability to live in that in-between...
After a considerable number of singles, the full We Are Deadbeats (Vol. 4) compilation is here. Somewhat doubling as a complete Zeds Dead album, the compilation features 14 collaborations with the likes of Deathpact, Subtronics, Delta Heavy, Dion Timmer, Slushii, Champagne Drip, and more. In terms of flow, this is definitely more of a compilation than a fleshed out album. Tracks don’t necessary fit together from one to the next, there’s a lack of cohesive sound — but that’s pretty much a given considering the variety of artists on the project. That being said, its ability to live in that in-between...
Anjuna HQ is doing its part to raise money for Australia. The team behind record labels Anjunabeats and Anjunadeep are throwing a party at one of London’s premier clubs, Tola Peckham, on Australia Day Weekend. With no less than five Australians working full time at Anjuna HQ, this event is especially near and dear to their hearts. 100% of the ticket revenue will go the Red Cross Australia Bushfire Relief Fund, which is dedicated to helping families that have lost their homes and livelihoods due to the disaster. The event page reads, “join us for a night of tinny-cracking, ute-mustering, Aria-losing,...
The road to a debut album is often a long one. There’s so much that goes behind the scenes for producers before they’re ready to release a truly career-shifting body of work, whether it be old aliases, years of watching YouTube videos, tens of thousands of dollars spent on hardware, software, branding, and more. But at the same time, there’s also no better feeling when everything finally starts to fall into place. No Mana recently revealed his debut album is coming in 2020, and today he released the first single, “Stranger” with Jantine. It’s a beautiful progressive house that...
2019 saw Jai Wolf debut his first studio album, the eclectic and adventurous The Cure To Loneliness. Now entering a new year and a new decade, he continues his brand of electronic/indie fusion in the new single “Moon Rider” featuring Wrabel. Bearing similarities to The 1975, Troye Sivan, or Years & Years, “Moon Rider” is made up of lush synths and Wrabel’s now instantly noticeable voice. Along with the single, Jai Wolf announced his first ever headlining Red Rocks show, as well as shows at Bill Graham, Aragon Ballroom, Brooklyn Mirage, and Coachella. For more information, visit jaiwolf.com. Photo...