Kamaiyah’s Twitter feed will show you words of inspiration and tidbits of facts about her come-up and how she made her way to being the Oakland-bred rapper she is today. “I’ve been minding my business, making slaps on the low doing non-toxic shit,” she wrote. The “Windows” rapper made her mark with 2016’s A Good Night in the Ghetto followed by 2017’s Before I Wake – the latter of which she doesn’t really count in her discography.

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Some of her most popular songs to date are “Fuck It Up” with the likes of YG, “Why You Always Hatin” with Drake and “Do Not Disturb” with G-Eazy.

Following her Roc Nation Brunch attendance, her $1,000 loss on a Super Bowl bet and recent music video releases (those Trina visuals though) Kamaiyah has dropped off her most recent album Got It Made today, February 21st,  equipped with 10 songs. The offering is a testament to where she is today and the growth she’s endured throughout the process. When we hopped on a call to discuss life as of late, Kamaiyah expressed even more major keys of inspiration when detailing that her success is not only from her grind, but the fact that she’s actually a “genuine person.”

“People see that and they just kind of fuck with me. I don’t be on no hater shit. It makes it easier for people to be around me,” she said. Read our exclusive interview with Kamaiyah where she opens up about her time with Too $hort, her Quavo link-ups and how she keeps herself in check below.

HNHH: Of all the offerings on Got It Made, which hits the most and why?

Kamiayah: “Ratchet” and “Ten Toes.” Depending on what mood I’m in. Every time I listen to it, I get confused because they all put me in a different mood. Off top, the one everyone just loves is “Get Ratchet.” “Ten Toes” for me it’s like… what I’ve been through, why I’m standing, stuff like that.

What does this tape touch on that your past releases haven’t?

I feel like it’s going to show my growth and where I’m at in life, personally. All my releases pretty much show you where I’m at in life and I don’t really count the second one [Before I Wake], I only count the first one [A Good Night in the Ghetto]. The second one was just me rebelling. It wasn’t thought out.

On “Pressure” you rap ‘That bitch ain’t gone tell me shit about myself, because I made it out the bottom try to find myself.’ At what point in your career did you “find yourself”?

That record was made after I went through, kind of like, depression. My brother died from cancer, I had to deal with how to handle things […] and I wasn’t happy at my last label so I felt like that [the most] when that record came about. It’s like ‘ya’ll can’t tell me shit cuz I been through all this shit and I made it out the ghetto.’ This is the next level. Anything you put me through I’m gone make it out of.

Was there ever a moment before things really took off that you had to give yourself a pep talk on what was about to conspire for you?

I feel like I always gotta remind myself who the fuck I am, honestly, not even on cocky shit. It’s like ‘bitch I am the king. Bitch, I do this.’ Sometimes in life, it don’t matter who a person is or how successful you think they are, or what you think they got. Motherfuckas can be jealous of you and try to break your spirit. You gotta remind yourself about who you are and that none of this really matters. You the only person you got. You gotta love yourself thoroughly in and out no matter who is in front of you or who’s trying to break that. I bother nobody, I respect everyone and I show everybody love.

Surely, you don’t really think you “don’t need nobody else.” Who do you show love to for where you are now?

My family and my friends of course. When I say ‘I don’t need nobody else’ I even mean them. At the end of the day can’t nobody tell you how to live your life. Can’t nobody tell you how to be happy. Everything starts with self. That’s why everybody depressed, they looking for outside sources to do what they should be doing for themselves. Even when I was sad and was going through my shit nobody could pull me out of that. Everything starts with yourself. If you ain’t happy and ain’t loving yourself and ain’t dedicated to your own craft or dream how somebody else going to take you seriously?

When you’re helming a song do you think of what one person, in particular, [will think] or your fan base as a whole?

It depends on how I feel because honestly I feel like people gone fuck with it either way. It’s always based on how I feel or what I’m trying to accomplish, like what’s the next piece to the story?

What’s the story behind this tweet: “Jay Z told me “Ima have to fuck around and call Kamaiyah“ yesterday shout out to @G_Eazy for giving me the hardest shout out of all time.”

I met Jay one time before that. When I see him I kind of like…be on some shy shit, you know, nervous. Like, nigga, ya’ll Jay Z and Beyonce. He looked up at me when I walked up towards him and he was like “sup” and he said, “I might have to fuck around and call Kamaiyah.” It was like I was an alien or something I didn’t know what was going on but he broke the ice.

What advice would you give to a young person coming from Oakland who wants to pursue a career in the industry?

Sticking to themselves, don’t let nobody discourage them. Create their own path and a big thing, I feel like for The Bay…don’t be an asshole. Niggas get on and they start poppin’ their shit and start tryin’ to shit on the people who never thought they’d make it out. […] You ain’t gotta go back and be like ‘ah fuck all ya’ll I’m on now.” If they didn’t fuck with you they wouldn’t be playing the music. And that’s a slap in the face to anybody – once you become successful they gotta listen to you! So shit, that’s another justification in itself. Do your shit, turn up and make them slap your shit.

You’ve made songs with the likes Quavo, Drake, YG, Tyga and more. Can you recall a funny or unexpected story that came from working with those homies?

A lot of this shit honestly, it happened naturally. Quavo owed me a verse since…right before “Bad And Boujee” came out. We met because Travis – I kept seeing him and “Bad And Boujee” blew up. I’ve been seeing that nigga for a couple of minutes and he’s always like “I got you.” I finally caught him on the set of [a music video] and he’s like “send me a record.” But yeah, me and Quavo had been chasing each other back and forth for like two-three years.

People have discussed how it’s time for females to rise in music. You’ve previously explained how it’s not about your gender but your grind, is this still something you stick by?

I definitely still believe in that because the females that are at the top of their careers are [there] because they keep hustling and they don’t stop. Rico Nasty’s not concerned about no niggas, she’s doing her shit popping her shit. When you stop racing and look back and see who’s behind you, that’ll fuck you up. Especially when you lookin’ at a lane that ain’t necessarily your lane. My lane ain’t Rico’s lane. You’re running your own race. People will like each female individually for different reasons. Keep running your race.

There have been a couple female artists who haven’t reacted well to certain reviews of their music. How do feel about the fact that not everyone’s going to rock with you or the sounds you put out?

I don’t give a fuck… It’s not for you. The people running these blogs got their own life outside of the blogs. Motherfucka could be working for a hip hop media publication and could go home and listen to Bon Jovi so how can I even take your opinion. It ain’t about you, it’s about these fans who are consuming my music at a rapid rate. Your opinion does not give me merit of if I’m good or bad. I know I’m good or I wouldn’t be here. […] Why the fuck should I care about your one ass opinion – it don’t matter!

You once called Too $hort someone who you look at as your Uncle, what’s something you’ve learned from him from just being in his presence?

[…] All he do is have bitches, drinkin – I don’t know! People ain’t never gave me no [long ass] speeches like people think. People already know I get what I’m doin’ so they just be like ‘keeping ridin’ on them niggas.’ They ain’t gone tell me ‘don’t do this don’t do that.’ I’m not really out there for real, I’m not talking my shit on other people and I just do my music.

Is there something you felt that you haven’t accomplished yet?

I want awards, I want to win VMAs, Grammys – all this shit that everybody else wants. You know what I’m saying, I feel like I ain’t never had a fair chance at success because my label didn’t back me. This year I feel like I’m trying to get a fair chance. I deserve that just as much as my counterparts. I work as hard as everybody else and my shit deserves being respected as much as everybody else. If I gotta invest in myself because I got my own label now, then that’s fine. I’m trying to run this race all the way to the finish line. If I keep running and get through the finish line, eventually ten to fifteen years from now I’ll pass the baton back to some lil Kamaiyah I ain’t never met before, you feel me? That’s how I feel like this game should be – you get anything you ever wanted and you create a blueprint that motherfuckas wants to follow.

When Tyler, The Creator won a Grammy this year he was happy but he spoke out about Grammys not supporting Black artists. What’s your opinion on the whole award voting system and black artists not being supported?

I feel like I understand where they coming from as far as ‘we don’t get the respect we want’ and the only way you get the respect you want is to conform into something that’s not you. But that starts within the artists to, If we really just took our stance and didn’t conform then they would have to come fuck with us. A lot of people are fed up because they conform, try to cater to them and give them what they want. Imagine if the whole hip hop genre as a whole stopped fucking with them – they’d be like ‘where these niggas at?” At the end of the day, not to pop our shit, but Black people create the waves and the vibes. Hip hop is running the world right now. I just watched the Super Bowl the other day and every commercial has a got damn Black artist in it. If that don’t tell you something.

Anything else you want to add before we wrap up?

I just want people to listen to my music and understand me as an individual. People gotta grow with me and get to know me. I’ve been here for almost four years and people don’t know me. This is my time to put out some offerings and allow people to get to know me and grow with me as an artist.

We have been watching Big Sean grow out his hair for some time now. It could have been predicted that the next step in this evolution would be getting braids. Lo and behold, he did. He debuted this look a few months back and then reverted to the fro. He now has the option to alternate between these dos and he appears to be having fun with it. 

While he let his hair roam free at the Roc Nation brunch on Saturday (Jan. 25), he has now brought the braids back and informed the world with an inspirational Instagram post. “Sometimes I gotta remind myself every single day is a blessing! God blessed us so go forth and be one ??,” the Detroit rapper captioned a photo of himself throwing deuces up and rocking icy grills. Sean has been a big advocate for mental health, frequently reminding his fans to take care of themselves and speak out when in need of help. In the wake of the tragic loss of Kobe Bryant, Sean’s message that every day is a blessing will surely resonate with some followers. 

After being revealed as one of the performers at Coachella this year, Sean teased that he’s setting April as a deadline for his next album. 

Two women talking at an event became social media buzz. Roc Nation hosted its annual pre-Grammy Award brunch on Sunday (January 26), and while there was much chatter about who showed up to the exclusive party, somehow a brief exchange between Rihanna and Love & Hip Hop New York star Chrissy Lampkin stole attention. 

A clip of the two ladies appeared to show Rihanna telling Chrissy that she doesn’t “f*ck” with something, or someone, as they smile and whisper into each other’s ears. For some reason, people began sharing the clip by the thousands, insinuating that Rihanna and Jim Jones’s longtime girlfriend had some sort of beef. Rumors were flying in all directions even though it’s clear from the video that the ladies are just engaging in a bit of gossip of their own. In true social media fashion, it was magnified to be bigger than it actually was.

Jim Jones gave a quick nod to the viral clip on his Instagram page. He shared another clip, which he later deleted, showing a different angle of the conversation between Rihanna and Chrissy. In this video, the two are casually laughing and chatting with one another. “I got the real scoop lol,” the rapper wrote on Instagram with a crying laughing emoji. “SMH social media is [the] devil.” Whatever “the real scoop” is will remain a secret, but Jim made sure to clear the air so people don’t go around putting out false information bout his lady. The Shade Room reposted Jim’s video but they, too, deleted it as well. However, someone else snatched it up. Watch it before it disappears.

Toronto native Tory Lanez and Houtson-bred rapper Megan Thee Stallion both have the ability to spit absolute bars when they feel like it. As he continues to grow as an artist, Tory has been giving us flashes of his old self, foregoing the melody magic and coming through with some quick-paced lyricism during his feud with Joyner Lucas and in select instances afterwards. Just starting out as a major label highlight, Megan Thee Stallion is making her mark on the industry with her grit, using her hard influences to craft a unique sound that was untouched in female rap. The two were in attendance at the star-studded Roc Nation Pre-Grammy Brunch and they decided to get a little silly with their photos, uploading them to social media.

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“At this moment, me and @theestallion realized we were evil twins,” wrote Tory Lanez on a photo of both musicians laughing maniacally. Earlier in the day, he had posted a similar shot of him going wild with DJ Khaled. The second shot has Lanez placed behind Meg, grinding up on her frame and just being a general goofball. Kehlani was a fan of that one, commenting, “the second pic is SENDING. ME.”

Artists continue sharing moments from the Roc Nation Brunch, which we’re absolutely living for right now. Take a look at the photos below. 

Things seem to be going great between Moneybagg Yo and his new boo, Ari Fletcher, but she might still be fixated on his exes. Grammy weekend was kicked off with the prestigious Roc Nation brunch on Saturday and biggest names in music were in attendance. The event always brings together industry elites and buzzing artists, so it comes as no surprise that Moneybagg Yo and Megan Thee Stallion both made it onto the guest list - two rappers who broke out in 2019 and show a lot of promise for 2020. Things had the potential to get uncomfortable between them at the brunch, as they briefly dated last year and Moneybagg was accompanied by Ari.

While no drama was reported, a tweet sent out by Ari during the affair is being interpreted as shade toward Meg. "MFs catfish," she wrote, potentially referencing how she was not that impressed by the Houston Hottie in-person. Many people who were convinced that Ari was coming for Meg called her out in the replies. "I know who you talking about," one tweeter confidently claimed. Someone else hypothesized: "She prolly talking abt Megan cus in her own pics she looked good but in everybody else pics/videos it was a different story."

The annual Pre-Grammys Roc Nation Brunch was held on Saturday afternoon as per usual, and the event boasted some pretty huge stars and some pretty big surprises. One attendee fell into both of those categories, as Ms. Rihanna herself decided to make an appearance at the lavish gathering, gracing the industry's elite with her increasingly rare presence. As we know, Rih has become known more as a makeup and fashion mogul than a musician these days, so her sighting at one of the music industry's biggest events of the year was a shock to many unknowing fans. While Rih smiled and posed happily with the likes of T.I., Megan Thee Stallion, and DJ Khaled, the Bad Gal seemed less than thrilled to bump into one individual in particular: Jim Jones' fiancée and Love & Hip Hop star, Chrissy Lampkin.

While it was known that Big Sean and Jhene Aiko stayed on good terms following their breakup, their closeness over the past few months has raised questions about whatever staying friends eventually transitioned into being partners again. These suspicions arose around the time Jhene Aiko released her single, “None Of Your Concern“, in November, which features an appearance from Big Sean. The song itself was pretty sexually-charged, but it was the fact that they kept being spotted together – often while they were getting touchy with one another – that convinced onlookers that they must be dating again. 

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The photos of Sean and Jhene at the Roc Nation brunch on Saturday fuels this curiosity, but some might be tempted to accept this as evidence that they are officially an item. Both of the recording artists posted pictures on Instagram of how they pulled up to the annual Grammy weekend event. Their outfits matched nicely, as Jhene wore a shiny royal blue suit and Sean wore a camel-toned one. They both had their chests exposed since Jhene rocked a leopard print bra beneath her coat and Sean only had a vest beneath his. In the captions for their uploads, Jhene declared “bros b4 hoes” and Sean referred to them as “the older cooler kids.” Neither of these captions confirm whether they’re a couple or not, but we’re pretty convinced they are. You agree?

Read our predictions of the 2020 Grammy winners in the hip-hop and R&B categories. 

If you're at the Roc Nation brunch, you've probably made it. For example, Megan Thee Stallion and Griselda were in attendance this year, which comes as no surprise when you consider how much success they saw in 2019. If you were at this prestigious Grammy weekend event, you would look around the room, maybe see Beyoncé, and notice that you were solely surround by influential and wealthy people. This environment is likely what motivated Diddy and Kevin Hart to give inspirational toasts to their peers. 

"It's 2020 y'all and it's different than when it was 2016," Diddy started his speech to a circle full of men that included Jay-Z, Usher and Meek Mill. "You know, the game has been elevated. As far as we can tell, there's no expense being spared. We at a black billionaires brunch. You understand? And we here together and we're gonna keep staying together. United we stand and there ain't nothing else." On that note, everyone clinked their glasses to "black excellence." 

Although Kevin Hart isn't a music industry mogul, he's still respected within the community and was given the opportunity to deliver his own toast at the brunch. The comedian went the route of a good old-fashioned analogy. "Very simplistic, okay? In life, you only get one, you write a book," Hart said. "The question of the day is: 'How do you want your book to end?' You're around a bunch of men who are doing amazing things in they life. Basically, you are writing chapters. Chapters get good, some get better, some get worse. It's your job to complete that book to the best of your ability. My question today is: 'Are you focused on the ending of your book and, if so, how great do you want to make it?'" Hart's speech received just as excited of a response from the crowd as Diddy's. 

Read our predictions of the 2020 Grammy winners in the hip-hop and R&B categories. 

Jay-Z must feel at the peak of his power while walking around the annual Roc Nation brunch. He sees an empire he built, and sees how he can gather many of music’s most talented and successful people. He sees the careers for which he helped pave the way. He sees that he’s a veteran in the game, but still standing at the centre of the it. Therefore, if Hov walks around the Grammy weekend affair with a slight air of grandeur, it’s totally understandable. 

As Jay was leaving the party with Beyoncé and seating themselves in their car, he was caught on video acting rather posh. Someone is heard complimenting Jay’s “pink” suit, to which the legendary rapper emphatically replies, “It’s mauve, bro.” Before shutting the butterfly doors of his ride, he offsets the haughtiness by pulling out a pun: “It’s a mauve-lous day.” 

Jay actually made this same mauve joke when driving to the event with Diddy. “That’s mauve, king?” Diddy asked. “It’s mauve-lous,” Jay confirmed. 

After the Roc Nation brunch on Saturday was the Clive Davis Pre-Grammy Gala, where Diddy was honoured as an “industry icon.” During his acceptance speech, Diddy called out the Grammys for neglecting hip hop and black music over the years. 

It's Grammys weekend, which translates to the star-studded affair that is the annual Roc Nation Brunch ahead of "music's biggest night."

Naturally, Jay-Z took up his usual post at the helm of the festivities alongside the likes of Diddy, Meek Mill, Kevin Hart, Juan Perez, and Kareem "Biggs" Burke among others.